Searching for my visual language

In between walks with Key and Dottie (official name) and putting together my latest book, I continue to work through Edible Abstraction by Nicola Bennett via Take Two. I’m giving high marks to the course. It’s a digital course, which can mean pretty dry content. I’m finding this the opposite, with grist for my personal art mill. The best way to show what’s happening is a photo essay. Remember, most, if not all, of these are works in progress.

One – Chestnut

Two – American Mustang Herd (finished) (sold)

Three and Five (no progress)

 

Four (gesso start not found)

Six

Seven and Eleven (no progress)

Eight – Enter the Belgians (finished)

Nine

Ten – The Lieutenants (finished)

 

Twelve – Proud Girl

Thirteen and Fourteen (no progress)

Fifteen – Together (finished, entered in ISEA)

Sixteen – Let that Pony Run (finished)

Seventeen (gesso start not found)

Eighteen (gesso start not found)

Nineteen

Twenty (no progress)

Twenty-one

Twenty-two – Kestrel

Twenty-three

Twenty-four (aka medium-sized panel)

Twenty-five (small panel 1) (no progress)

Twenty-six (small panel 2) (no progress)

Twenty-seven (ex-large square panel) (no progress)

Twenty-eight (large square panel) (no progress)

Twenty-nine (first small square panel)

Thirty (third small square panel)

Thirty-one (second small square panel) (no progress)

Thirty-two (unknown origin)

Thirty-three (unknown origin)

Thirty-four (unknown origin)

Thirty-five (unknown origin) (gesso start not found)