Jean Pederson Workshop – Day 3

My apologies for anyone who was following along. I got home after the Jean Pederson workshop last evening, unpacked the car, and then just kind of hit the couch. I was tired from the workshop, but also from being awake for a few hours the night before with “stomach” issues.

Warm Up

In addition to the above, there were two others (Bad Guy by Billie Eilish and All About That Base by Megan Trainor) that I painted over before getting a proper photo. (Note: Ring of Fire and Twinkle were started with a red gesso base, not a white gesso base.)

I really enjoyed these warmups. I would highly encourage anyone interested in loosening up to try it.

Sketching

Next we did some life drawing by proxy. Jean put some images from a modeling session she had been to up on the media screens and we did a series of ten 2-minute sketches. Nothing terribly exciting, but we were working more on gesture and shape than capturing detail.

Putting It All Together

Finally, we were asked to transfer one of the sketches onto one of the collages from Day 2 (the last image here I did on my own, during demo time.)

I don’t think any of these are finished. “Me Too” and “Attitude” might be the closest, but I still see some work on those.

I was starting to work on the exercise, and I got to a point where I was stuck. It was all these fun colors, but nothing really stood out enough to make an actual figure. Jean asked the room if anyone needed help, and she came over. I said, “Well, I’m doing what I always do. ‘Here’s a color, there’s a color, everywhere a color color’.” Studying the painting for a moment I said, “I get that it needs neutrals which would help the values, but I’m stuck.” Jean paused for a moment and said, “That’s an important question.” And took a photo of my painting and put it up on one of the screens and manipulated the image on her pad to show how to use the neutrals to develop the painting. I painted along with her suggestions (didn’t take a couple) and felt like I gained a lot. From this, I did “Attitude” and then started on “Sari”.

I’ll write a summary of things in a few days, but for right now I’ll just report it was one of the best workshops I have taken. While I probably won’t be doing huge numbers of humans, I am excited about the possibilities this opens up for animals. In particular, horses.

Jean Pederson Workshop – Day 2

The streak continues! Day 2 of the Jean Pederson workshop ended with all five goals met and NO MELTDOWNS! I will admit there was a heating up when I got hungry for lunch and at the end of the day when I was just tired, but both times I evaluated the situation and made healthy choices. Yeah!!!

The Warm Ups

Like yesterday, we did six song-warmups; however, I have done an even worse job remembering the tunes.

 

After this, we had a little lecture on the duality of modern artists and how they can have more than their most famous style and how this dual nature helped with the abstracting of their work (it made more sense than this, I promoise.)

With that, we turned to working on creating a collage (or two). The idea was to work on a white/blank piece of paper and do a collage, feeling intuitively for what felt right in the placement of pieces. I sucked at this. I couldn’t seem to bond with the idea.

The next exercise was about finding arrangements of shapes. We went around the classroom taking heavily cropped pictures of various things (like cracks in the floor, brushes piled on top of each other, etc.) and then came back to our desk to turn these into six value sketches, working on the idea of arrangement of shape more than representation.

Then we were supposed to take the value study we liked best and go over the collage we had created earlier, using a color study we liked (I got a little lost about where the color study came from. Yesterday?) Being a little lost, I picked out my colors and did a study.

Then did a second edition on a failed collage piece I had in my pile.

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The black part of the bottom is where I put gesso over it and I’ll come back tomorrow to try to get that part right.

During breaks, lectures, etc. I did the following.

Bee and flower from yesterday’s sketching

Self portrait

Tomorrow is the final day. Then it will be the dentist and back to the real world!

Jean Pederson Workshop – Day 1

Well, I am delighted to report that I did well on day one of the Jean Pederson workshop. I accomplished all five goals (see yesterday’s post) from the workshop. And… NO MELTDOWNS! I am feeling so good. But let’s talk about what you all want to know, namely, what did we do.

Getting Started

To start the day, Jean gave us the briefest of lectures (love this) and then got us painting. We were told to bring 6 pieces of “scrap” paper in a large dimension each day. Then Jean played a song (see song list below painting) and encouraged us to feel (and paint) the colors of the song and make marks about how we felt about it.

I LOVED IT! This exercise reminded me a lot of Ruth Bunchanan’s first workshop, and the excellent painting song: The Hippopotomus Song by Flanders and Swan.

Sketching

By the time we finished this warm up, it was late in the morning, and we were treated to another lecture / demo. For the day’s class we would focus on flowers. She started us out by having us do 10 sketches of floral bouquets she put up on her screen (about 2 minutes per sketch.) Then we were to take our favorite of the sketches and re-draw it onto the ground of our choice, whether that was plain white paper (generally discourages) or one of the sketches from earlier in the day.  In my usual work fast and don’t listen to directions way I added paint to one of the sketches.

Real Painting

Then I started on a different, real piece of paper (had a sort of peachy background).

It was hard because i struggled with some design elements, but I ended up pretty pleased, especially when Jean mocked up a mat for it!

During the various lectures, I did some sketching of my own. I added paint to this one because the sketching got away from me.

I like it.

Tomorrow we will be working on pure abstracts. I can’t wait.

Nubilous

nubilous [ noo-buh-luhs, nyoo- ] (adjective) – cloudy or foggy

Today I had made arrangements with a friend to meet and take our dogs for a walk. It has been muggy for a few days, but generally dry (okay, dry-ish.) So, we met at the park… and it promptly started raining. Sounds about like our luck. We still had a good time and the dogs didn’t care.

Nubilous also seems like a good description of my current mental state, something very much on my mind. Not in the way of “dark and gloomy” cloudy but more like “changing and could clear up.” I am delighted to report that is has now been six days (6!) since I had a breakdown. I haven’t cried, collapsed in a pile, hid under the bed, or otherwise failed to cope. There were even a few times when something annoyed or upset me and I was able to shrug and say, “Meh.” I even–queue the ticker tape parade–went to a meeting.

This week will be a bit of a test; I’ll either move ahead or have to take a step back. Of course, I know it won’t be that cut and dried, but it doesn’t prevent me from hoping.

Workshop

Monday-Wednesday of this week I will not be going to work; instead, I will be taking a workshop from Jean Pederson, who I’ve wanted to workshop for a while now. My goals for the workshop are pretty humble.

  1. If I get overwhelmed, take a break.
  2. Tolerate other humans for at least 6 of the total 18 hours of workshop time.
  3. Bring breakfast and lunch and eat it.
  4. Enjoy myself.
  5. Learn something if I can.

This list seems extremely pitiful, but it’s where I am now. If I manage to survive the workshop, Thursday morning I have to go into the dentist for a (long-awaited) emergency appointment. I either popped out a filling or broke a tooth. It does hurt (thank goodness) but it’s sharper than all get out. After the appointment, I’d like to “return” to work, but if I get a lot of drugs I’m not even gonna try. I don’t need any more marks on my permanent record!

Jean Pederson is known as being an experimental artist, so the directions for workshop supplies have created something of a disaster in my studio this week. I’ve been gessoing over old paintings and creating some collage papers. Also, I had to order some acrylics, and the packaging for that box has been entertaining the kittens for days. I’ll try to post any worthy results (if any) over the next week.

Dentist & Work

If I don’t have meltfown over the course of this strenuous week, I will work an entire eight hours (gasp) on Friday. And then return to work full time the following week. At least, that’s the plan.

Painting

In between trashing my studio, I did actually do a little painting. I worked up these two crane paintings and started them. I’m not sure about where they are going, but at least I’m applying paint.

Both pieces still have masking fluid on them, so they are very rough. Long way to go.

Show News

I got a small piece of good news this week. My application to Words & Images at the Hoffman Center for Arts (aka Hoffman Gallery) was accepted.

Word & Image takes the Greek tradition of Ekphrasis — which is writing in response to art, and turns the tables to include art in response to writing. The combinations of word and image that result often reveal surprising new layers of meaning, and give both artists and writers the rare opportunity to see their art reflected in the work of another’s. Writers and artists are randomly paired and have approximately six weeks to create new work. The paired pieces are exhibited in the form of broadsides in the Hoffman Gallery and also collected in a keepsake book, both of which are for sale. Word & Image is produced in even-numbered years.

This event is similar to the Salem Reads exhibits I’ve painted for the last few years. I’m excited for June 3 when I’ll be assigned my writer!

And don’t forget, the Emerald Art Center has the lovely 16th Annual Emerald Spring Exhibition 2022 at the Emerald Art Center until the end of May.

Plans and other things that I have a hard time changing

When my parents were around, we had a bit of saying about “Choate Plan B”. Essentially, we’d make a plan (vacation, dinner, whatever) and then something would happen, and the plan would change. I think this is normal and something most groups of people face; groups of people are full of humans, and what could be more chaotic than humans?

This post is about three plans that changed.

Plan: Emerald Art Center Show

This weekend, the 16th Annual Emerald Spring Exhibition 2022 at the Emerald Art Center in Springfield opened. I drove down to the opening on Saturday night, which was lovely. Unfortunately, the trip was a marred by the fact that I had been hoping to go to dinner with some friends who had had their plans change. My friends made a point to go to the exhibit earlier in the week, and commented how lovely it was, but we didn’t get a chance to catch up over dinner. The exhibit runs from May 3 – June 3 and next Friday is the 2nd Friday Art Walk, May 13th, 5:30 – 7:30pm.

Glisten

Plan: Keizer Community Gallery Show (Brush Buddies)

Last summer I submitted a proposal for a sculpture; to my shock, the proposal was accepted (no word on when it will all come together because they are still fundraising.) During this project the head of the committee asked me if I would be interested in displaying my paintings in the Keizer Community Center (930 Chemawa Road NE, Keizer, Oregon 97303) which had room for 60 paintings. I said of course and we booked June and July for whatever show I came up with (it’s worth noting the show does need to be approved, but I don’t see that as a huge obstacle. My paintings are usually pretty “G” rated.)

With 60 paintings to come up with, I started going through my inventory of already-framed paintings. I came up with about 35; though it wouldn’t be any trouble to come up with the additional 25, the cost of framing them (assume each painting costs $100 to frame, so that’s an additional $2500 out of pocket) seemed prohibitive for a show that looks great on a resume but probably wouldn’t generate a huge number of sales. In addition, once framed, each piece would have to be carefully stored and generally looked over. So, I asked my friend, Sandra Pearce, if she’d be interested in taking the other half of the show. She went through her inventory and came up with just under 30 framed pieces, so she agreed.

Before the show can go up, we had to submit photos and an inventory, which we’ve been working on for a few weeks now. I wanted to create a theme for the show and dithered around about that for a while. But last week we turned in our paperwork, and we’ll hear back after the committee meeting in a couple of weeks. We don’t know the “load in” or “load out” dates, but it will be early June and late July. It’s hard for me not having an exact plan, but I’m managing to cope (sort of.)

Show Statement: Brush Buddies

They met at the Watercolor Society of Oregon convention and for the last ten years, Tara Choate and Sandra Pearce have avidly painted the things that captured their attention. Sometimes together, most times apart.

As you will see by this retrospective exhibition, Sandra’s attention rests mainly on the land, but Tara is more easily distracted. While both artists focus on watercolor—a medium of endless challenges and opportunities—Tara has also provided a selection of acrylic paintings and even some works in oil.

Tara and Sandra invite the viewer to share the things that capture their attention and think about what draws your attention. The two artists each have a unique perspective and style—can you tell their pieces apart at a glance?

Tara Choate

Tara Choate paints from her home base of Keizer, Oregon. She has been painting since 2006,and was accepted into the Watercolor Society of Oregon (WSO) in 2009. While she paints primarily in watercolor, she has recently added some acrylic and collage to her repertoire.

Sandra Pearce

Sandra’s recent work includes industrial scenes, both functioning and abandoned to history, as seen in her travels to Europe and around North America. She is excited by the abstraction of space and light and shadow, and delights in the calligraphic details offered by piping, railings and ladders. This is an inspiring direction for Sandra’s growth as an artist, while still living the joy and serenity of painting nature.

Due to image resolution and file size issues, Sandra and I have chosen not to all 60 paintings on our “social media” sites; you’ll just have to swing by the Keizer Community Center (930 Chemawa Road NE, Keizer, Oregon 97303) sometime (more details to come.) I will say that I think it’s going to be a really lovely show.

Plan: Returning to Work Full Time

Last Sunday, after taking a week off and then working two weeks part time due to a medication-induced breakdown, I felt ready to return to work full-time. I was nervous about it, but I went over some guidelines and exercises and thought I was ready for a new challenge. Monday went well–I did all my health breaks including my 1-hour lunch where I got a walk with the dog and a short yoga routine. I was tired at the end of the day, but it is work and you’re supposed to be tired.

Tuesday is where it all fell apart. The State of Oregon has reopened their offices, and most employees have been asked to return to on site work at least one day a week. Before all this happened, my boss and I had decided Tuesdays would be a good day to come in, and so on Tuesday I made my way to the office. I carefully packed good food and decided to take the dog, who could hang out in the car (underground parking, very cool, with a nice water bowl); Key would be a good excuse to make sure I took breaks. We got to work 45 minutes early and took a walk around the grounds, which really are lovely, spotting three different types of warblers along the way (okay, honestly, I was more excited about this than Key, but I think he had a good time.)  After the walk, I “arrived” and went to a cubicle to set up and get going.

Things started to go downhill immediately. The cubicle I had checked out was available, but the docking station would not recognize my computer. I changed cubicles but that didn’t change the results. I went over various plugs and lines, thinking I must be missing something; this had worked the last time I was in. Thirty minutes later I was completely frustrated, told the office manager about the issue, put in a ticket to IT, and proceeded to TRY to do some work on my laptop (and only my tiny… little… laptop.) My initial plans for the day had required use of the side-by-side screens and a few other things, so I shifted gears.

Then the parade of people started, I work with lovely people, and I enjoy the company of (almost) all of them. For two years, all of us have seen digital versions of each other, but I think we can all agree that SEEING someone face-to-face is different. Quite a few people were in the office (maybe a dozen?) and people said hi to me and to each other. Conversations and catch-ups filled the air. People got sticky notes and cursed at the copier. All normal, except… it’s not normal anymore. I got increasingly tense, even though I had brought earphones and went down to see the dog at regular intervals. I completely lost sight of taking care of myself. I was following the plan, darn it. The plan was to take breaks with the dog and work in between. And I was going to do it or die trying. (Reality note: No one would have blinked if I had gone home at lunch, or even admitted it was too much.)

I saw this book on my Facebook feed and it spoke to me. I’m naturally an introvert and the last two years has only enhanced that. It shouldn’t have been shocking to find that being asked to work in an environment with a dozen people would be an adjustment. It probably shouldn’t have been rocket science that catching up with friends and hearing about their losses over the last couple of years would be disturbing.

I joke a lot about how difficult humans are to understand. But I probably need to remember that it’s not always a joke and that other people deal with it too.

My boss and I had a check-in in the late afternoon, and as you can imagine, I was well past seeing the forest (objective of taking it easy) for the trees (plan of working all day in the officr). All thoughts of being kind to myself, of taking breaks (I did go down to walk the dog regularly, but as the day progressed, those walks felt more like marches), and being aware of my mental state had vanished. I was in blind tunnel of “just make it through.” I walked into the meeting and my boss asked me if I was enjoying seeing everyone again. I said, “NO!” And here is where my boss gets the first of her two kudos. She looked at me, now rigidly sitting in a chair across from her, and said, “Maybe we should do this when you’re not so… tired.” I got up and stomped back to my cubicle. And cried for the rest of the day. But, by gum, I made it to the END OF THE DAY.

Honestly, I can’t quite figure out what prevented me from seeing that I had moved beyond a healthy space. Part of it is that at 8:30 when I was frustrated and frazzled with the computer stuff and I heard my little voice say, “Maybe it’s time to call it a day?”, industrious worker me scoffed and said, “You’ll never cope if you can’t even make it an hour.” And after that, everything felt like something that should have been no big deal, and I would DEAL WITH IT.

I made it home that evening and checked in with “L” (love you, L); as you may remember, L is my mental safety buddy and is specifically tasked with saying things like “Dial 911”, “Call Emergency”, and “Go to the urgent care.” She listened to my story and said, “I think you went back to work too soon.”

This information floored me. I had taken three weeks off. I had a plan. It SHOULD have been alright.

The next morning, I went into work and there was an email from my boss saying we should reschedule our check in. Within an hour, we were video conferencing. And here is the second kudo. Without preamble, my boss said, “Tara, I care about you and I’m worried about you. I think you came back too quickly. Mental health is nothing to fool around with.”

And I started crying again. She was right, but there was a PLAN! “I don’t know what to do,” I sobbed.

Within a few minutes we agreed that I would take the rest of the day off to do doctor stuff and to decompress. Then I’d return to work half time for the rest of the week and next week. Implied in the conversation is that we’d reassess as necessary.

So, my friends, I am back on medical leave. Choate Plan B. C? D?

Concept

For various reasons, I didn’t leave the house much this weekend. I had a variety of plans, but unexpected events tabled all that and I was left to my own devices here. While I did some chores, puzzles, dog walking, etc. I figured painting was a safe way to pass the time. So, I turned to a big sheet of watercolor paper that I had toned a few weeks ago by pouring some extra paint over some Halloween spider web that is hanging around for just this purpose.

I had every intention of then ripping the paper into quarters and doing a series of abstracts. But… this bird was there. You can see where I outlined her above. I pondered this development and finally decided to go for it, but I made the radical decision to NOT use a reference photo or even pick a bird species. This left me the freedom to use any colors I felt would work with the painting.

As I mentioned, last weekend was the WSO convention, where I took Peggy Stermer-Cox‘s excellent class. During the class, I worked on this value sketch.

So, this weekend, I got my courage together and combined the two images.

tentative title – “Messenger”

As you can see, it’s not finished, but I like where it’s going.

After a lot of angst, I decided to use white gouache (sometimes also marketed as titanium white watercolor) rather than fight the veridian green background. I harnessed my mini workshop with Leslie Humphrey a few months ago and decided to mimic her use of gouache to create her white horse. Using gouache (said like squash) to make white gets a bad rap in the watercolor world. Amateurs often use it to try to fix their watercolors, and it ends up looking…. well, amateurish. Instructors don’t hesitate to point out the importance of “saving” white in watercolor and can go on a bit about techniques like multiple washes or negative painting. Quickly, painters learn to hide their white qouache (and their black paint when they are told to “mix their darks”.)

But gouache has a lot going for it. It provides a creamy texture that can add a lot of warmth and body to a painting (fact: in older paintings, you will see “body color” mentioned. That means it’s ink (or some other medium) with a little gouache to bring out the white areas). It tends to dry quickly and makes for fabulous scratching and pushing texture. While it can’t be used for washes, it can be layered to create effect, though the artist should be prepared for the layer below to suffer some damage. It does lift easily and allows the artist to make changes very easily.

Creating this bird without a reference photo or even a specific species has been challenging. It’s an eagle… a hawk… a falcon… a phoenix? I don’t think it’s important to spell it out, but it does have to meet some basic parameters of “birdness” so the viewer can work through the painting without getting stuck on that point.

So, more to come on this painting adventure.

In other (non-art) news

Those of you who are here for art, you can stop here. The rest of this blog post is about personal stuff.

If you chose to go on, there may be some triggering stuff. (Seriously, consider stopping)

Safety Rails

As I mentioned a couple of weeks ago, I’ve been struggling with depression quite a bit lately. I made the choice to go on an additional antidepression medicine this week, and that decision has had some fairly serious consequences. From previous experience, I made an emergency plan with a good friend (L, I love you!) during which we had a frank conversation about what to do if things went sideways.

I started the new medication on Monday morning (the advice was to take it in the mornings) and I went along with my Monday and Tuesday in pretty normal fashion. Tuesday night I didn’t sleep well, but it wasn’t a huge deal. Wednesday I was a little tired, and thought I could start to feel a slight shift, but basically moved forward with life. The last thing on Wednesday I had a conversation with a co-worker that was both intense and uncomfortable and I did notice afterwards that I was pretty shaken up about it. But those kind of conversations are hard, so I put a “note in the file” and went forward. Again, I didn’t sleep well Wednesday night, and by Thursday morning I made a note on my board to remind myself that I could take time off if necessary. Then things sort of fell apart.

I “went” to work and noticed that I couldn’t seem to concentrate. I’d open an email and then “wander” off to some other task. I noticed I had a meeting later, so I read through the notes and literally did not understand what my function in the meeting was to be. I called my boss and she was impatient about my lack of understanding, but spelled out my roll. I made some notes and went to the meeting. I wish I could tell you about the meeting, but the only think I actually remember is hearing people talk, looking at the document, and feeling frustrated because something was “wrong” (no idea what, but something was.) When asked a question, I couldn’t figure out how to articulate the issue and so I ended up saying “Whatever.” I couldn’t follow the conversation, I couldn’t read the document, I couldn’t explain the problem.

After the meeting, I sat looking at my screen for a few minutes. Something was wrong. I just wanted to die. (Please note: I was not and am not suicidal, this is suicidal ideation.) I sat there trying to remember the plan my friend had talked about when my boss called. She was upset because I hadn’t “shown up” to the meeting. Fair enough, but I had bigger problems. I mumbled something about having a bad day and she impatiently told me to take the rest of the day off then. I started crying and realized I needed to activate the emergency plan.

I called my friend who insisted (as we had discussed) that I call my doctor RIGHT NOW! Now crying incoherently, I called the health provider’s mental health line and got through to a receptionist who must have exceptional deciphering skills, because she sent a note to the doctor AND send me to the mental health crisis line. There, after they checked to make sure I really wasn’t going to commit suicide worked me through the situation. In the end, it boiled down to this. This new medication works by bombarding the brain to get the neurons to start working again (the current thinking is that depression happens because the neurons stop sending certain kinds of messages (happy or comforting ones) through). While right now I was struggling, if I could get through this, prior experience indicated to health care professionals (HCP) that this drug might be quite effective for me. But we had to get through right now.

I mumbled something about the situation at work, and the HCP gave me a sick note for two weeks. I do have that kind of time available, so that was one problem (maybe) solved. We moved onto my current feelings. I had stopped crying (positive progress) and we both thought a quick walk with the dog followed by some jigsaw puzzling and TV watching would be just the thing. HCP asked me about other issues and I admitted that I felt like I couldn’t drive: my hands were shaking and I kept just drifting off to other thoughts, rather than concentrating on driving. HCP agreed that wasn’t helpful, so we worked out a plan to cancel my plans for the weekend and be a homebody. The food situation was fine, and so I was essentially safe at home. HCP gave me the crisis line and I agreed to call if I needed.

I called my friend back (love you, L) and assured her the crisis was at least five minutes old now and we came up with additional emergency plans if necessary. I didn’t sleep well again that night, so I got up at three in the morning and searched the internet for how to “tell your boss about a mental health breakdown.” It’s not the best search result ever, but there were a few good articles. In the email I didn’t say much other than I was having issues and needed to take at least a week off, accompanied by the note from the doctor. The next morning she acknowledge the email and said we’d come up with a more comprehensive plan on Monday, and I put an out of office message on my email.

Friday was a pretty bad day, but Saturday seemed marginally better. Today, Sunday… well, I slept through the night last night and there have been significantly fewer periods of existential dread. But I am going to go with the plan of taking the week off. I still keep “drifting off” and under the pressure of a work situation, I don’t know that I would be able to cope in a meaningful manner. Also, as my job is quite detailed, and the fact that I can’t concentrate might not make for the best situation. Additionally, I am discovering is that I am having a lot of trouble speaking. It’s like the words get lost between my brain and my mouth. It’s possible there are just no thoughts, but that’s never stopped me before.

As a sign of hope, I offer the following. I have been noticing beautiful things more, which is something that I am now noticing I haven’t been doing.

And the last few nights, I have had the vivid, technicolor dreams. (As an example of my lack of ability to concentrate, I typed “colors” three times in place of the word “nights” in the sentence before.)

As a final note, I am noticing that I have more connections than I think I do. A friend invited me over to dinner on Sunday, which I ended up turning down because of… well. My cousins are vacationing at the beach house, and they offered to come by and help if I needed it. A work friend (who I don’t think knew about the situation) dropped by on Saturday with knitting bowl she made. Another work friend sent a series of texts checking up on me. A different friend who I haven’t called in a few weeks called out the blue today and we chatted for a while. And of course, L is the best. As are all my FB friends who I am sure would (and will) send comfort.

So, for the next week I’m here at home. It’s not a staycation, more like inpatient treatment. I’ve developed a little schedule to follow, and a have a short list of chores I’d like to get done. More puzzles, more dog walking, and more painting ahead!

Final note: I suspect there are more than the usual numbers of typos in this article. At least I keep finding them. My apologies. I hope you understand.

Seeing people

This weekend I attended the Watercolor Society of Oregon‘s Spring Convention. It’s been two, full years since we got together, and it was nice to see people again. I’m not great at chatting, but even I enjoyed shooting the breeze with a few people. I chose not to attend Friday night due to work and traffic concerns, and Sunday I decided not to attend because I was feeling more than a little rough from the exertions of the day before. But Saturday was still worth talking about!

The vendor area is always a lot of fun at these conventions. I was strong and didn’t buy any new tools… or paints… or paper, but I did buy a book from Rene Eisenbart and have the honor of getting it inscribed!

That evening, Rene won best in show with her magnificent piece, “Metamorphosis.” Here’s the slide show of the 20 award-winning paintings (including one by my friend Sandra!)

Achieving Depth in Your Watercolors

The first break-out session was with my friend, Sandra Pearce, who gave an excellent lecture and demo on adding depth to your watercolors. She covered perspective, value, color, and edges. I mostly painted while she talked, and unfortunately wasn’t in a good place to stop when the time for exercises came.

After finishing this one, I decided to paint a thumbnail sketch I had hidden in my notebook.

Thumbnail sketch

“Lowland Lookout”

It was a good class: encouraging, thoughtful, and engaging. The handouts are definitely going in my notebook!

Exploring the Figure & Ground Relationship

A few years ago, I took a breakout session from Margaret “Peggy” Stermer-Cox and I loved it, so I was really excited to sign up for Peggy’s class “Exploring the Figure & Ground Relationship.” Peggy turned up in a shirt, thoughtfully ordered by her husband, that’s she’s lucky she left with. I’m absolutely sure I’m not the only one who thought about ways to steal it!

Peggy worked us through a variety of exercises exploring value and complexity.

Then did a third segment on color (specifically the properties of warm and cool).

Like the first workshop, there was time and allowance for sketching, and I made use of the time, working on some ideas for an upcoming painting.

I was so inspired by the end that I really thought I’d work on painting the next day, but as I said, Saturday’s activities caught up with me.

Significant

Technical virtuosity alone does not result in significant art.
Hours upon hours in front of an easel may not yield any significant art.
It isn’t any one thing that makes a painting significant.
Significant paintings make you think, wonder, hopeful or depressed.
Significant paintings leave you speechless.
Significant paintings alter your blood pressure.
Significant paintings could be a single line, monochromatic, tiny or large.
Significant paintings do not dictate, they allow you interpret.

A few months ago, a Facebook friend posted the above words along with an image that was attributed to a Canadian Watercolor Society post. Unfortunately, I cannot find an organization by that exact name, so I am unable to find a specific attribution. Nevertheless, the sentiment rings true.

This weekend I made a concerted attempt to finish “What Are We Propping Up?” for entry into the ISEA exhibition.

What makes this piece experimental for your art practice? This piece uses a lot of initial, random wash and pattern techniques to lay down the base, but the experimental part for me was the idea. I saw a series of shapes that seemed to be supporting a precarious structure. The idea of exploring that terrified me, but I decided to try. Thoughts on COVID, race, elections, medical care, money, and the stock market are represented throughout the piece. I don’t know if it works, but that’s why I’m submitting it in this show. Because I’m experimenting about how to express my thoughts.

Whether it’s “finished” or not, it’s done because I’m out of time and talent.

In between finishing the above, I did play a little and came up with this.

I’m not sure if it’s done, so it’s still on my desk while I think about it.

Not about painting

This week was a tough one. Tuesday/Wednesday night was spent with almost no sleep, resulting in me getting out of bed at 1am and writing an angry, unsent letter just to get my thoughts out. The rest of the week was then spent putting one foot in front of the other. I was so thankful this Friday was my day off! I toyed with the idea of heading down to the beach house, but I decided to stay here in order to finish “Propping”. Not unrelated, season 2 of Bridgerton dropped (the male lead this season, unfortunately, is not a match for the sexy Regé-Jean Page of season 1, but the female lead was great) and a new puzzle had arrived. So, I paInted, tidied up, watched TV and puzzled, cleared out my email, and pondered the issues that led to this week’s meltdown.

In a coincidence that seems slight spooky, I picked up The Hilarious World of Depression (THWOD) from the library on Thursday and started listening to it while I went up to Portland on Friday for a nosework class. Those of you who have read this blog or known me for a while know I struggle with major depressive disorder and generalized anxiety disorder. I’ve had them since I was twelve and when I was 25 I began therapy and medication. I like a quote in THWOD that basically talks about how medication gets you to sea level; without the medication, you’re under water, but with the medication you can breath and try to save yourself. About four years ago, the great insurance provider (GIP) decided that the medication I had been on for 18 years was no an option. I had objected and fought this many times over the years, occasionally trying new things. But after the inevitable disaster manifested, I always went back to Paxil. This time the GIP said “you’re not going to get it.” And they switched me to Zoloft.

At first, I was pleasantly surprised. While there were issues, and that summer I just about lost my job because of the various effects, I didn’t immediately drop into suicidal ideation. After a few months, things seemed to stabilize. Then Mom got sick and died, then COVID; in other words, I have no idea if Zoloft might have been okay in other circumstances, but it’s not working for me, right now. During the last four years, I have talked to the GIP four times about medication changes, and they keep just upping the dose. What’s odd to me is that Zoloft is supposed to be good for depression and less beneficial for anxiety, whereas Paxil is just the opposite. And yet, for me, Zoloft can control my anxiety (in sufficient dosage) but cannot address my depression. I have tried to explain this several times, and have been told “I’m wrong.” I love GIP.

Reading THWOD made me realize that I need to deal with this. While many details in THWOD describe me to a tee, I understand depression enough that I do not consider it abnormal. What’s good about reading THWOD is the understanding of someone else, a community really, who are all saying, “this really is hard.” I guess I needed to hear that.

So, among the other things I did this weekend, I sent an email to GIP asking for another medication review. That’s a significant step forward.

Uncooperative

After the canine sucess of last weekend, I would love to report equal sucess with painting. However, factually speaking, that wouldn’t be true. It’s not only life that’s getting in the way; my current project is proving to be most uncooperative.

On the subject of life, work continues to be a little over the top. Re-entering life after last weekend (not to mention the time change) was a challenge. Thursday evening, I went down to the coast for the weekend, not to relax so much as to take care of a few house details before I have guests who will be staying there a couple of weeks. In between all this, I taught class two of three on websites, trying to get helpers for my “other” website (www.watercolorsocietyoforegon.com). I returned home late Saturday and have spent the day dealing with finances (someone, somehow got my credit card number), doing food prep for the week, and going to dog training class. Throw in some laundry and a couple of home repairs you have a pretty accurate picture of my life.

The Uncooperative Painting

But we’re really here to talk about art, so let’s reveal my current endeavor.

In August I created this start while using up some paint.

As I contemplated various options, I got an idea about using a complementary color scheme and talking about money (green and gold) and humans (brown). The initial title was “What are we propping up?” and is about contemplations on human systems.

Maybe that’s why it’s being such a brat to paint. I keep trying and one thing comes together, but something else comes apart.

Unification is my biggest problem. Seems apropos for this painting about human systems. After looking at it for a few weeks, I’m going to ditch the line and white gouache and make more gold smushes (maybe green).

I’d like to get this finished in time to enter the ISEA show at the end of the month, but I’m not sure I’m going to hit that mark.

Other Shows

A couple weeks ago I mentioned that I’m on a bit of a rejection streak. Well, the good news is that I’ve applied for a couple more shows, so fingers crossed. And if you just have to see some of my work, the AAEA member’s show (Horses of Leisure) is online.

Also, the Salem Reads exhibit is moving around the county. This month it’s at the Stayton library; next is the Silverton library. Even though my painting has sold, it’s still in the exhibit.

Finally, the American Academy of Equine Art (AAEA) Member show titled “Horses of Leisure” is now up.