Re-learning play

In his book “Creativity“, John Cleese posits the importance of play as a creative element. I’ve heard other creatives express some version of the sentiment, usually coupled with a variation on inspiration has to find you working.

For whatever reason, play is proving elusive. I want to paint, but it feels like all my emotional space is filled up with other things. This long holiday weekend, I did quite a bit of painting. Almost none if it is worth looking at.

A challenge from the Northwest Watercolor Society‘s (NWWS) monthly critique tickled my fancy enough that I pumped out two paintings for critique from the reference photos that were to be used. The idea was to work on values, doing a small version, then a larger version.

Dale Laitinen will be critiquing the images of his selection on January 8, 2024.

In related news, I received a notification from NWWS that I was accepted for signature status. This is VERY exciting for me and, I feel, a goal attained with much hard work.

After these paintings, the most useful thing I did was clean out a variety of watercolor palettes, putting the gooey color residue into these jars.

Nothing I painted seemed to “sit right”, though some work is needed for any of these to be finished.

I may go back to the “apply paint” stage if this keeps up. At least that was fun.

Layers

This weekend I pulled out my sumi ink and pastels to do some exercises as learned by the fabulous Dawn Emerson. I have been thinking a lot about how representational I want to be and my future painting direction. This seemed to be a way to have a lot of options without a lot of planning.

The issue of planning and layers looms large in my life. As I sat down to craft this blog, I simultaneously realized how large these issues are… and how much I don’t want to commit those issues to “paper.”

Please forgive me for another short post. A lot is going on.

And for those who celebrate, happy Thanksgiving!

Random Interests

In the interest of getting a post out, this is going to be a random post.

  • How can it be November and just a week or so to Thanksgiving?
  • I think that means December and then January, which is a new year. I don’t remember doing a single goal this year.
  • Oh, good. I just looked at the list. I have done a few goal things.
  • My piece, “Leif, Lord of the Flickers” was accepted into the ISEA Member Only Juried Online Exhibition “Utterly Profound 2023”. It’s an online show. The link to this year’s show is scheduled to go live on November 15.
  • I painted more this week. I even broke out the pastels.

 

 

  • My gooddness. It’s really raining here.
  • I agreed to do a break-out session at the Spring WSO Convention. Working title: “Paris Tricks to Get Unstuck.”
  • I’m already tired from “the holidays.”
  • A favorite artist, Kate Dardine of Painted Wind Studio, is putting out a 20 days of Gratitude newsletter right now. In day 8, she put in this beautiful quote: “A stranger is a person in whom we have not yet found a part of ourselves.” – Luigina Sgarro, il confine di ghiaccio
  • I need to get a move on and enter Western Fed. November 27. Lots of time…
  • Maybe a goal for next year will be less procrastinating.

Art Withdrawal Therapy – Phase 1: Apply Paint

Coming back to real life after my exciting PARIS! trip took a couple of weeks. Last weekend I finished up my planned blog posts and looked around. “I guess I should paint?” I thought, rather weakly. So, I sketched out my favorite Paris photos. And then I froze. “I can’t paint this,” I thought. “I’m not good enough.” Regardless of whether or not I am “good enough”, I will certainly never get any better unless I actually apply paint. But I couldn’t get past the idea that spreading paint was too complicated. So, I dithered last weekend. It’s a great tool if you want to get nothing done.

If you have ever looked for anything vaguely art-related on YouTube, I am sure a video about neurographic art has come up for you. Basically, it’s where you make squiggles, then make them ovals, then apply paint. Or some variation of things in some order. The key words: apply paint. I sometimes do the same thing and “paint dragons”. I will say the exercise of neurographic art is oddly addictive. I’d do a painting (or two) then go to bed and pass right out.

A gray neurographic art start.

When I got up this morning, a strong weather system with masses of wind and rain was passing through. I was also wearing my worst shirt, so I decided to break out the acrylic paints and see what I could do with these starts. There have been oodles of mushrooms coming up with the increasing rain.

Inspiration solved.

Just like riding a bike, it started coming back to me.

Asian Pears

The “gray” start at the start of this had a lot of paint on it. So, while I was waiting for that to dry, I pressed another piece of paper to it, soaking up some of the extra paint. As I looked at it, I saw this emerge.

Ghost

I don’t think it’s finished yet, but it’s close.

Another item that emerged was this imaginary landscape. I’m still trying to figure out a finish plan.

After fooling around with a bunch of projects, I finally got the courage to apply paint to some of my “real” paintings.

Finally, I applied a wash to this drawing. This wash is still VERY wet when the photo was taken. I’m hoping it will dry a little more evenly. If it doesn’t, I’ll have to decide if I want to continue or start over.

And so, eight paintings have begun. Not bad for someone who was agonizing seven days ago about “not being able to paint.”

Look away from the bright light…

Hello all. I apologize for the radio silence. I got a little discouraged with the low response to my last post, which made it easier to just procrastinate. The good news is that I have a few things to report.

Leif

First, Leif, lord of the flickers, is installed!

I LOVE HIM!

It’s also interesting to watch people discover (or not discover) him.

Horiya

And along this same vein, I started another project: My horse, Horiya. Horiya means “woman of the gardens”. I always wanted a horse!

Horiya is still not finished. First, I have to add some “bulk” so she more easily reads as a horse. Second, I will have to wait a few years for the honeysuckle plant to work up her legs and across her body. Look at her back legs to see the (tiny) plant. The goal is to have Horiya in a little pasture of clover and pollinators with a path to the Little Free Library alongside.

While neither of these are paintings, they were definitely fun and therefore I am calling them art. I intend to enter Leif in the next online show of ISEA. And maybe Horiya when she is more finished next year.

Paris is 10 Days Away!

I’ve been having trouble getting started on painting because all my attention has been focused on elements of preparing for my 10-DAYS-AWAY trip to Paris. I mean, obviously, the yard and house must be spotless. All projects (ever) finished. And I couldn’t possibly start a new series with this big break happening.

That’s my story, anyway.

I am so excited about this trip. I actually packed two weeks ago because I was driving myself crazy trying to decide if I needed a new suitcase or if everything would fit into my current bag. I’m sure you will be as relieved as I was that it all fit.

There has been a small amount of last-minute drama about the pet sitting situation. Two friends were going to sit the house, dog, and cats; friend A the first week, Friend B the second. Friend B called me last week and explained she was having a family thing and said she could not take the last four days of the trip. So, I’ve been scrambling to find a solution. So far, I have three, but I’m still looking for the perfect one to come along. Anyone want a few days at the coast with a short black dog and pair of stand-offish cats?

When I went to England in 2008, I had each day of the trip packed with events or travel. I arrived in London, where I hit the Changing of the Horse Guards, British Museum, and National Gallery. From there I went to Strafford-upon-Avon and Warwick Castle. Then to Birmingham and two days of Crufts. Then to Cheltnam and two days of horse racing. Finally, back to London where I only had time for Kew garden before returning home. It was a great trip, but I’d like a chance to linger if necessary.

For this trip, I am staying the entire two weeks in Paris. I am not adverse to an overnight trip, but I haven’t scheduled one yet. Here is the itinerary.

  • Day 1 – Travel
  • Day 2 – Travel, arrive, wait to check in at park across street from hotel, the Jardin des Plants
  • Day 3 – Louvre
  • Day 4 – Musee d’Orsay
  • Day 5 – Braderie de Houilles 
  • Day 6 – Musee de l’Orangerie
  • Day 7 – Versailles
  • Day 9 – Louvre (again)
  • Day 9 – open
  • Day 10 – Auteuil Racecourse
  • Day 11 – Montmarte & Sacre Coeur (if not previously done)
  • Day 12 – train to nearby bird watching
  • Day 13 – errands and re-see
  • Day 14 – Travel, return home

Missing from this itinerary are the following items, which I would also like to work in:

  • Musee De Cluny
  • Musee du Quai Branly
  • Musee Eugene Delacroix
  • Musee Picasso-Paris
  • Musee Rodin
  • Eiffel Tower (just to see)
  • Notre-Dame Cathedral (will not be open, but I’d like to see anyway)
  • Arc de Triomphe (just to see)
  • Boulevard du Montparnasse / Montparnasse Tower
  • Champ de Mars
  • Trocadero
  • Place de la Concorde
  • Tuileries Garden
  • Palais-Royal
  • Ile de la Cité
  • The Pantheon
  • Sainte Chapelle
  • Père Lachaise
  • Les Marais
  • Centre Pompidou

I have purchased two six-day Paris Museum Passes and I intend to use them!

To survive the next few days without looking like this:

I am going to try to not think about it.

Expect to see me running around the block!

It’s all art supplies

The grumbling began when I began the decennial pruning of my mom’s rhodies.

Dad and some small person. Taken at the Beach House in 1976 by Mom.

Mom loved rhodies, particularly the big red-flowering ones that bloom spectacularly each May.

I like rhodies, too. They are a fine plant. But let’s face it, they are not without maintenance requirements. Mom never liked to prune back a plant, so they were overgrown when she died in 2018. In the intervening five years, they have grown leggier. They are also in desperate need of fertilizing and some pest management. This year my big job was to prune and fertilize the MANY rhododendrons around the yard (16, but a couple might have slipped by me).

One side of the yard. Mom REALLY liked rhodies.

We get yard debris pickup only every two weeks and my pruning soon outpaced the pickup. I began chopping the leaves of the rhodies into the bin, and piling the bare branches up nearby, thinking I could get those out in the winter. Then I got to thinking about how nice they looked all stacked up. I began an edging fence.

But the sticks remained.

One day, a spotted towhee landed in the pile, and it got me thinking. A few years ago, this cedar died. I asked the company to leave it up as a snag, hoping a bird family might nest in it someday. To be honest, I overestimated the appeal of this snag.

Alright, it’s just ugly. So far, no bird families have taken me up on my offer of housing. But flickers often perch on the top and survey their territory. Wouldn’t a sculpture of a big flicker be funny?

I’m not sure I’m done, but I’m not sure I’m not. Also, I haven’t figured out the logistics of mounting “King of the Flickers” on the tree. Originally, I thought the biggest branch in what is now the center would be used to mount him, but that doesn’t appear to be working out.

We get pretty big winds here, and there are power lines very near the tree, so continuing to hang KOF isn’t the most practical option.

But going back to grumbling. I feel like the neighbors are starting to worry about my sanity. First, I defoliated the rhodies to bare sticks. Now I’m standing in my front yard with sticks, wire, and a mini chain saw.

Promise me that if the authorities come and take me away, you’ll campaign for art supplies. Obviously, I’m not too picky.

Pithy Post

Howdy, folks. Well, I had a nice, productive weekend. Yard work, house maintenance, food prep, laundry. I managed to sneak in some painting time, but the results are not new; instead I worked on finishing three paintings from the coastal plein air.

And with that update, my friends, I’m signing off for the weekend. I need a couple more hours of downtime before heading back into the real world.

Painting. Survival. Painting.

Hello, friends. Apologies for the radio silence. It’s been hectic. As I posted two weeks ago, the last couple of weeks have been focused on the 2nd Annual Coastal Plein Air and surviving. More about surviving later.

Last weekend, Sandra Pearce came down and we cruised the coast, painting for three days to capture images for the show. (Note: If you are not following Sandra’s fine art page on Facebook, you should look it up!) Friday, we did some warm-up painting in the Depoe Bay area. Depoe Bay is to the north of the allowed painting zone, so I think both of us were just practicing and “getting our eye in”. I tested the kit I am planning to take to Paris to see if it would be sufficient.

Saturday morning, we drove to Seal Rock and then further south to Waldport.

Sandra says I have a “tourist information” sign around my neck, because people are always stopping and asking me questions or otherwise engaging. I kind of like it, but it can wear a little thin. Sunday, in particular, I had my fill of “ugly American” tourists. (Question: Why do people with really loud cars always leave their car running when using the bathroom?) Sunday, we brought Key along (he had been inside all day Saturday.) However, there was an incident with an off-leash dog that really got me steamed. We started the day at Ona Beach (where we painted last year) and finished at Yaquina Head.

I can’t speak for Sandra, but I can tell I was getting tired. While “Kingfisher” and “Painter” deserve to be finished, “Island” is just an oversized doodle. I am pleased with “Fireweed.” Excitingly, juror Aimee Erickson agreed and gave it an “Honorable Mention” at the show. Sadly, though Sandra’s works were fabulous, none of her words received any prizes (though a red dot award is ALWAYS the best award and I hope she gets one), but as she was best in show last year… well, I still think her stuff should have received something.

It must be my week for painting excitement. On Thursday I received an email that my painting “Graceful Grazers” (liquid charcoal and watercolor on paper) was accepted into the NWWS 83rd Annual International Exhibit by juror Stan Kurth (thank you!) This is my first national show acceptance with NWWS, and with two member shows in my past, I can apply for signature status! The exhibit runs Oct. 14-Nov 12 at the Matzke Fine Art Gallery in Camano Island, WA. The in-person reception will be Saturday, October 28 from 2:30-5pm. So close to my return from Paris, I will probably not be able to attend. But I’m thinking about it!

“Graceful Grazers”

Now you are caught up on my painting life. I will be focusing on trying to finish the paintings I started. And getting ready for Paris. (7.5 weeks to go!)

Everything Else

As I have mentioned in previous posts, my work life continues to be on the bleak side. A combination of too much work, big personalities, and lack of support. I end my days worn out, and just glad that my commute back home is short (ha ha.)

Unfortunately, while the commute is short, home is not quite as restful as I like. I have a new neighbor and he has complained about Key’s barking. Now, I’ll be the first person to admit this is fair. Key has a loud bark. As a small dog, his bark is particularly startling. His motto is, “Bark first, ask questions later.” To top it off, Key has separation anxiety. COVID has done nothing to convince him that I should be able to leave the house without him. I was disappointed to learn that (apparently) Key is expressing his opinions for HOURS when I leave. I had been assuming that he barked for a few minutes, then settled down. But my new neighbor assures me this is not so.

As the saying goes, you can pick your friends, but you can’t pick your neighbors. To keep the peace, I hired a young gal a few doors down to come by and let Key out of his kennel (inside the house, windows closed, fan on, radio on) on the days I have to go in to work. This worked for a few weeks, then she didn’t show up (or at least she didn’t take the money I had left for her). I was able to stay home the next week, but I haven’t found a long-term solution. In the late fall and winter, I can take him to work and keep him in the car, taking him for walks every so often. But not during the summer.

With all this going on, Friday, as I was painting with Sandra, another neighbor called. Her story was that Key had been barking for a year and she was tired of it. Sandra and I came home, but Key was fine. Sandra, who overheard the conversation, said she thought the neighbor was talking about his outdoor barking, like the other neighbor, not about any barking he might have been doing right that moment. But the call upset me. I really don’t know what else to do. Later conversations did reveal that things had been better recently and that her call on Friday was a bad timing issue, though the situation is still precarious.

Into this comes the kittens, Chitza and Anouk. For a few weeks/months now, we have been having some “litterbox issues.” Occasionally, someone would decide to pee in an empty cardboard box instead of playing in it. Or I would fine urine in the empty clothes hamper. The most usual issue was a suspicious wet spot on the area rugs in front of the outside doors. I had been keeping an eye on the situation, but it was infrequent and often had a behavioral explanation. For instance, a friend had stayed over. Or I was late getting home. Or some other infraction.

But Thursday morning I saw Chitza in the litter box for a LONG time, and when I went to clean the box, she had made only the tiniest of pools. A few minutes later, she squatted in front of the cat tree and made a bigger puddle. I’ve been through this before. I also know that one of the kittens’ brothers has crystals in his urine. So, I called the vest.

The next day, Sandra arrived and both kittens (now three years old) went into hiding, expressing their opinions about the situation whenever they could get me alone. Monday morning, I captured Chitza and took her to the vet. It was a drop-off appointment and she ended up being gone around six hours. Just as I suspected, she has Feline Idiopathic Cystitis (FIC). Sigh. BIG sigh. New food, new routine, new other stuff is on the horizon.

After bringing Chitza home, I figured this particular trauma chapter was over. Not so. Anouk became convinced that Chitza was a COMPLETE STRANGER CAT! Yes, I know she is reacting to smell, etc. But seriously. They’ve been together for three years every day. So, for the last four days everything has been separate. Separate food, loves, play. It’s like having two cats! I’m delighted to report that Anouk didn’t hiss at Chitza during the unpacking of the groceries last night.

Anouk (left, inside the grocery bag) and Chitza (right, looking cautious)

Can world peace be far behind?

Negatively Defined

Doing a bad painting is very discouraging. You started with such high hopes, and suddenly you are looking at a piece of paper with some squiggles and blotches on it. Not what you had in mind at all. I’ve heard some artists state that if one out of every ten paintings turns out, they consider that to be a huge success. On the other hand, I’ve heard artists say that they just keep working on the painting until something turns out. I have posted many failures to this blog over the years. One of my favorite posts is on failed paintings (The Gift of a Failed Painting.) Artists know so much failure that it is hard not to become annoyed when people compliment your talent. Whatever amount of talent you have, you’ve also put in hundreds and thousands of hours of practice and study.

Next week starts the Second Annual Coastal Plein Air. Like last year, Sandra and I have picked out a weekend to paint together. To prepare, this weekend I checked out three videos on landscape painting topics and prepared to learn. One video I had seen before and one was essentially a step-by-step, but the third was a gem. I had either watched this video before or seen the technique, but Tony Van Hasselt really nailed the presentation. The title was Fun with Figures, and I certainly had a good time!

The basic idea is to simplify the human form and let the little happy accidents tell the story. It’s similar to carrot people, but produces figures with a little more bulk.

Start out with three letters: U, W, O.

Turn the U upside down, then draw a VERY long W under it. Add the O for the head.

More complicated figures include more letters: X, V, H, and A.

When you start using paint to create the figures, things start to get more interesting. Obviously, I was just using scrap paper and the colors on my palette, so don’t be too thrown by the blue people and occasional random line.

I’ve always been hesitant to include figures in my landscape paintings, afraid they would ruin it. I’m giving myself a challenge during this event: turn in at least one painting with a figure. I don’t want my paintings defined by the things I’m afraid I can’t do.